Showing posts with label It's Possible I Have A Thing For Brunettes. Show all posts
Showing posts with label It's Possible I Have A Thing For Brunettes. Show all posts

Friday, April 18, 2008

Friday's Best From The Rest

Recapping some favs from the Week In Microblogging over at the "other, other" blog of mine:

---

An unsettling thought

anthonydever:

heather-rivers wrote:

If you only get psyched about things you’re not really getting paid to do, you’re getting paid to do the wrong things.

But getting paid for sex is illegal (unless it’s for a porno.)

---

Tuesday, March 18, 2008

A Top Five From Wayback

I'd been avoiding this issue for a while, but I may as well face up to it: two of my Top Five are (for now) off limits (as the list, which is 99.9% pure fantasy--no not that kind...well, mostly--but maintains that 0.1% chance of realism by including only famous women who aren't currently married).

A new top five must be made. But before I get to that, I figured why not look back several years (let's say more or less ten years, to the late 90s, when yours truly was finishing HS and just starting college--because yes, yours truly is old. Not yet "get those damn kids off my lawn," John McCain old. But old nonetheless.)

So, while I hash out my new, current top five, here's a top five I never posted (because blogger didn't exist, and I'm pretty sure almost no one had a blog, and I was not going to get a tripod page.)

1. Sarah Michelle Gellar
I was kind of a latecomer to Buffy the Vampire Slayer. I saw the previews when it came out, and all I could think of was that terrible move where Kristy Swanson fought vampire Pee-Wee Herman. Then a year later I had a class with two very attractive girls where were fans, and in the shallow interest of looking for some sort of common ground, started watching very late into Season 2. I missed the season finale the first go around, plus a few other episodes (I often was at work, and wasn't sure it was as VCR-tape worthy as The X-Files or The Simpsons) but by season 3 I was hooked. And after her turn guest-hosting SNL (famous for Will Ferrell's "I drive a Dodge Stratus" bit) I was beyond smitten with the actress that played Buffy. Sure Pam Anderson had massive jugs (and, judging from the Tommy Lee tape, no gag reflex) but she didn't hold a candle to SMG as far as I was concerned.

2. Katie Holmes.
While I enjoyed Kevin Williamson's writing (the first Scream really was good stuff), Tom Cruise's future...whatever (can't totally bring myself to say wife) was the only reason I'd watch Dawson's Creek. What struck me most was Holmes' juxtaposition of being very attractive, with a vulnerability that came from being almost unaware of it (from what I read in her first Rolling Stone feature, this wasn't all acting on her part) and it was best manifested in that asymmetrical smile of hers. There were also discussions (as serious as rum-fueled discussions amongst freshmen can get) about driving up to Williamsburg, NC to meet her. So at least I've grown up a little bit...I mean I've yet to plan a flight out to LA just to try and meet Autumn Reeser. Yet.

3. Keri Russell
Time for another confession: I used to watch Felicity. Ok, really only the first season, and part of the second. But still. It's not something many guys admit to, and I did it. I can't even say "oh, it was because it had that hot, curly-haired girl from Bon Jovi's 'Always' video in it," as I didn't find that out until later.) Mostly, I'll say it was because of Keri Russell--the smile, the hair, and most importantly: the voice. Maybe it's my musician background, but a rich speaking voice can be a huge turn on for me (it also explains my up until right before Taradise infatuation with Tara Reid, and my infatuation with Travel Channel's Samantha Brown.) But also, it was the story: bookworm follows true love to college? For a romantic sap, that's the equivalent of offering a $1,000 gift card to Bone's to a steak/scotch lover. I even referenced that specific plot point (and the show) in a likely-to-remain-unfinished novel attempt (folks from my Advanced Creative Writing Class may remember, and still resent having to read all 14 or so pages--which were actually closer to 20+ but had been shrunk down to like 9-point font and 1.5 spacing instead of double to meet the 14-page limit. And save on copy costs.)

4. Eliza Dushku
Like I said, I was a very big Buffy The Vampire Slayer fan. Now if you're looking for historical accuracy, and to pin this list down to a specific time, and that date is before "The Zeppo" aired, Eliza might not be on this list, or as high. But that episode was the clincher (and yes, I identified a good bit with Xander...even though as a guitarist and a sarcastic person maybe I should have identified more with Oz, I was just too awkward offstage.) Plus, she's a Boston fan, which is "five-by-five," as far as I'm concerned.

5. Catherine Zeta-Jones
For two reasons really: Zorro, and the Welsh accent. It's possible that Welsh isn't that sexy a language (sounds a lot like Chaucerian Old English to my untrained ears), but when the future Ms. Michael Douglas spoke it, it was.

Thursday, December 27, 2007

Some Bests From 2007 - The Boob Tube/Chattering Cyclops Awards

Yep, the Lists they are coming early this year. No New Year's in Athens for me (for the first time 2002-2003) and no New Year's in the state of GA for the first time--I think ever--for me.

Best New Show of 2007:
Pushing Daises. Probably the only thing on TV that can be described as "dark whimsy," this hourlong dramedy is probably the closest thing to an English-langueage Jenuet-Caro (the folks behind Amelie) TV series we'll ever get. The easy contrast to make is the emotional resonance the show gets from a simple hand-holding vs. any number of largely emotional rolls-in-the-hay on any number of other shows. But that's a contrast that erroneously puts the show in Seventh Heaven territory simply because no one gets laid on the show (well, yet...and excluding dream sequences.) After all, the show's about a man who can bring the dead back to life, but if he touches them again--*poof*--back to dead they go, permanently. And the love of his life just happens to be one of those "not dead" folks Ned can never touch.
But cool visuals and the Zooey Deschanel-like hotness of Anna Friel aside, what really won me over was the writing and dialogue. It reminds me of old Bogart movies, where the witticisms were actually witty, and coming at you faster than Gilmore Girls on yayo. Sort of. Here are a few choice quotes, compiled from Television Without Pity:

Ned: Do you know you have a "tell" when you lie?
Olive: Do I?
Ned: You answer questions with questions.
Olive: Maybe I know I have a tell and I know you know I have a tell and maybe I'm doing it now to confuse you because you don't know what tell I'm telling.
Ned: But why would you go through the trouble of answering questions with questions and pretending to lie if you really don't know where she is?
Olive: Can you tell me?

Ned: No! You let your anger win and you engage the crazy person and you're no different than they are. People say, "Hey, look at those two crazy people, fighting. I will not engage.
Emerson: Yeah, but if you don't engage, pretty soon people will start saying, "Hey, look at that crazy person eatin' that guy just sitting there doing nothing.

Olive: Yesterday, a farrier named Lucas Shoemaker was found dead. Trampled.
Emerson: Why should I care about a dude that sells fur coats?
Olive: Not a furrier. Ar.
Emerson: Faaaarier?
Olive: FARRIER. It's a blacksmith. Puts shoes on horses?
Emerson: Don't try to act like that's a word everybody knows.

Chuck to Ned: "You love secrets. You wanna marry secrets and have half-human/half-secret babies."

So yes...it's great stuff and I'd say when you can tune in to watch reruns and all...but ABC has decided trotting out horrible crap like Wife Swap (which part of me thinks is a way of not having to pay residuals to writers) is a better move. Worst-case scenario, keep an eye out for the Abridged First Season DVD, or see if you have any luck over at ABC.com (though to keep from screwing the writers who get no money from online rebroadcast, don't buy anything they try and sell you.)

Runner Up
Yep, back when I was complaining about the horribly titled Dirty Sexy Money, and the drek that was Private Practice, I never imagined this season would give me more than one new show to spend an hour of my life watching (and my still unfinished novel hates Josh Schwartz for this). But damnit, Chuck is good tv. Imagine Seth Cohen from the OC semi-grown up and working at branch electronics store...only he has government superspy files implanted into his brain, so some guy from the X-Files and a girl possibly hotter than Mischa Barton hang out with him, foiling various 007-lite plots against California. It's the televisual equivalent of really really good junk food. There's potential though, for the series to take it's reluctant hero motif to semi-Buffyesque territory, only covering post-collegiate life and traumas instead of High School and college.

My Old Favorites List
The shows that aren't new, but that I hate I don't get a full season of (or new seasons at all in some cases):
Entourage
LOST (8 episodes starting at the end of January, originally planned for 16).
Family Guy
The Simpsons (both are good, but have gotten to the point that I don't mind if I miss them.)
House
Californication
30 Rock
Scrubs
Weeds
Flight Of the Conchords


Show I Should Watch Because Numerous People Say It's Great But I Haven't Gotten Around To It Yet
Heroes - Supposedly well-written, well acted, well-shot, hot cast...and it's not like I was watching Monday Night Football all that much. Just haven't gotten around to it. Netflix, here I come in 2008 though.

Show I Think Is Probably Still Good But Quit Watching Because I Was Single And It Brought Up Too Many (Good and Bad) Memories:
Desperate Housewives - (Though from catching the previews of a "tornado"-centric episode, I am nervous. But without someone to watch it with me, it's not on the watch list.)

Reality Shows I Shouldn't Have Enjoyed As Much As I Did:
Brett Michaels - Rock Of Love
America's Most Smartest Model

The Only Things Keeping Me From Not Turning On A TV At All This Spring:
1. The Half-Season of LOST
2. Second Season of Rock of Love
3. March Madness

Monday, November 05, 2007

The Writer's Strike Is Not To Blame (I)

Nope, if you want to blame someone for the lack of a pre-game best- worst-case analysis, blame my superstitious side.

You see the past two times Georgia's defeated Florida, they went and lost their next game (at home to Auburn in 1997, on the road to the Opelika Gazatte Title holding 2004 squad.)

So I had to change something up to avoid the hangover game jinx. And it worked. Maybe.

Anyway, there will be more thoughts on the game (call it a belated edition), plus a separate post on the Writer's Guild Strike (I'm not getting paid for this, so don't call me a scab.)

Oh, and I'm attempting the National Novel Writing Month challenge again this year. I figure I've got at least a year's experience trying to do it, plus no very meaningful-with-incredible-potential relationship to inactively passive-aggresively wreck this year in my favor this go around.

Friday, September 21, 2007

Answering the "Why Don't You Have a Girlfriend?" Question

Hey, if you haven't already heard, this weekend concludes (or this Saturday, depending on where you demarcate your weekends) National Unmarried and Single Americans Week. Oddly enough, National Talk Like A Pirate Day fell on Wednesday of this week. I'm not claiming there's a coincidence, but...

















(If you feel that women love tiny dogs, and they love pirates, I give you your must-have dating accessory.)
And beyond that funny little picture, I rambled on for 1,500 words. Hey, it's cheaper than therapy. And apparently reading in bed is sexy. But too many people keep clicking on the penguin picture and not sticking around, so it's hasty edit time.

Thursday, September 20, 2007

A (Somewhat) New Top Five

In honor of National Singles and Unmarrieds Awareness week (or whatever they're calling it) I am going back to the well with a celebrity top five. This is still in more-or-less random order, just like the last revision.

Jessica Alba
How could she not be on the list? I caught part of her interview with The Morning X coming into work, and while I'm a bit worried that the simple fact that she was awake, cogent, and funny at 7:45am (which is, I hope more really late than really early if she was still out in LA) could be a sign that she's a dreaded Morning Person. I cannot date Morning People. Worse, Morning People tend to not want to sleep in on weekends. But the interesting thing that seems to be true (insomuch as any celebrity-personality is "true") is that she seems more like a kind of boring, dorky gal than anything. She's not in the tabloids for dancing on the bars and snorting lines of Bing* in the bathroom. She's never, ever dated or hooked up with Fez. These are good things. And amazingly, according to multiple interviews and her Wikipedia entry there's an interview where she admits to being self-concious about how she looks--which should convince us all that if Jessica Alba has harbored doubts about how gorgeous she is, all women have.













(Here we see Jessica contemplating whether or not she wants to share the last of her ice cream with me, while mulling over the "cone-is-optional" method of eating it I told her I'd prefer.)


Mandy Moore
Remember back when there was a debate about which young, Lolita-esque teen starlet would be a superstar, and the debate was mostly limited to XTina and Britney? And Mandy Moore barely mentioned? Goes to show what a journalistic consensus is worth doesn't it? (Though to be fair, they were right about Ms. Aguilera being more talented than Mrs. K-Fed.) About the worst things said about Mandy in the tabloids was a general "wait, you can do better than DJ AM" pieces. She was great on Entourage, and her two-episode guest-star run on Scrubs, and really great in Saved!. And she's put the acting on hold to write her own music and go out and tour in places like the Roxy as opposed to a giant, overwrought arena show. Perfect lazy date with Mandy Moore would likely consist of: lots of trading musical ideas over acoustic guitar, mixed with enough kissing to make any peeping tom onlookers question if we're still in high school.


















(And if she happened to say "you know, I'd prefer an electric guitar," that'd be even better.)



Katherine McPhee
Ok, I don't really watch American Idol, so this is sort of an odd pick (Rock Star: Supernova's more my speed as 1. Butch Walker was on it 2. Tommy Lee is--sometimes unintentionally-hilarious 3. the songs are better. Though I did watch almost all of the Bon Jovi episode of Idol this past season.) But Katherine's clearly got some serious pipes (I mean vocally, why should I trot out an awkward euphemism when Tyra Banks has already done what myself and millions of others wouldn't mind doing?). Plus, she's a Red Sox fan. So provided I would never, ever have to hang out with Ryan Seacrest (who again, UGA does not claim as one of our own), it could be perfect.


















(Here you can see Katherine laughing at my devilish wit right before we compare tan lines.)



Autumn Reeser
Alright, so I've got a lot less in the interview category here, and I may be projecting many of the qualities that I adore in Taylor Townsend, the character she portrayed on The OC, onto the actress, but damn if I don't think Autumn is not only underrated as far as "damn she's hot" comments go (it should be said far more often) but talent-wise too (perhaps the fact that the Emmy folks consider The OC more of a drama hurt, but she could have easily been nominated for a few episodes, particularly the "It's a Wonderful Life" spoof and the one featuring her French ex-husband.) And while the book I started for NaNoWriMo last year with her as a character is on the back burner while I attempt to finish By Any Other Name, I do intend to come back to it.












(Her dog's name is Gatsby. I'm about to make a bad lit joke about whether he likes scrambled, East or West. But she'll laugh anyway.)

Mary Louise Parker
I miss having Showtime. Weeds, as it turns out, is a kick-ass show. Imagine The OC, but on cable so there's more swearing, nudity and drugs...and Sandy Cohen's dead, so Kirsten starts selling pot. And she's played by a 43-year old actress that could pass for my age. And Ms. Parker, like myself is from Georgia. We could make quite the pair at Sanford Stadium I think. Plus, 99% of the girls I've dated have been younger than me, and well, here I am single, so maybe age does matter?


















(Mary Louise may look calm here, but has threatened me with instant death if I defame her beauty by using the word "cougar.")

Wednesday, August 08, 2007

Phase 1 of my plan is now complete...

Amidst all the bad news, let it not be said that good things can't happen too.

Yes, Jessica, my #1 on my Top Five (which shallst be updated soon by-the-way) is now single.

And I'm not saying I had anything to do with her dumping some guy named Cash, but I'm not not saying it either.

Monday, April 23, 2007

Rock Vocal Power














Maybe there was too much anticipation for it to live up to.



(No, not the Red Sox-Yankees series, or even DiceK’s debut into The Rivalry.)



Maybe there was no way it could live up to the last go-around.



(Nope, not talking about dating…at least not yet anyway…either.)



Maybe it’s just me, but Friday’s filmed-for-a-DVD concert wasn’t quite what I was hoping for.



Disclaimer #1: In no way was it a poor show. The acoustics were great and the sound guy deserves top shelf cocktails for the rest of the tour (The Tabernacle’s a beautiful venue, but as a former church, tends to be far more boom-y and reverberating than most clubs). The set list was excellent, mixing some very old stuff ("Indie Queen," "Over Your Head,"), 1-and-a-half covers (Part of "Laid" by James, and a rocked out "Born To Run"), with the usual Butch/Marvy suspects ("The Best Thing You Never Had," "Mixtape," "Joan" and "CLLS" at the piano.)



That said, it didn’t seem to hit the same transcendant levels of performer-audience interaction that Butch had at the Legion Field show, and the energy overall seemed scaled back from even his pre-Rise And Fall Of…tour 40Watt show (where we first heard some of those new tunes.)





Was it a conscious decision to scale back the pick flip-and-catches? (I’m guessing "no" here, because there was a great flip, catch-in-mouth-spit-catch moment late in the set).





Did the band eat some tainted shellfish and feel under the weather?



I’m not sure, but I think I might blame the crowd.



Atlanta’s always been Butch’s strongest area, and I’ve never seen him outside of the state of GA (something I plan to rectify maybe even as soon as his next—or 1969’s next—tour), but the general consensus from fans is that the crowd response isn’t remotely the same in general (and who knows, there could be some trucker-hatted aging hipsters in LA that outright dislike the guy…their loss of course.)





On his last trip to ATL, he remarked about seeing so many familiar faces in Atlanta. But this go-around it looked like there were a lot of new faces too.





Young faces.


Faces that were here because it was an all-ages show, and because they heard about Butch when The OC had him on as a featured artist back in December. Faces that were seeing Butch for the first time and didn’t know that when he asks you nicely to shut the hell up for three minutes so he can play "Joan" on the piano, it’s not a joke, he means it.





Faces that didn’t know that we could’ve kept that a cappella outro to "When Canyons Ruled the City" going a lot longer, and it would’ve been cool as hell. Faces that don’t even know who the Marvelous 3 are, and probably do have parents that have "Born to Run" on tape somewhere.



And they were everywhere too.





Maybe, as much as I don’t want to admit it, I am getting too old for midsize and large-venue general admission concerts. At Legion Field I had room to move about, play the occasional air-guitar and generally make a not-too-noticeable ass out of myself. At the Tabernacle, if I moved too far one way, security would tell me to either move to the back, or I’d find myself surround by a pack of drunken morons too busy patting each other on the back on how wasted they are to pay attention to the show.





Disclaimer #2: I'd also been fighting a sore throat/fever for most of the week and had been running at least a degree of fever less than 24 hours before the show. Plus I'd forgotten the cardinal going-out-rule that no matter how hot or cold it is outside, when 1,000s of people get crammed together it's going to be: hot. And perhaps a long-sleeved, black, not-exactly-breathable dress shirt was poor attire.


And so I figure that’s the most likely reason for the semi-disappointment (I’m still going to buy the DVD—along with extra copies to inflict on friends and family for gifts).



But, in the interest of full-disclosure there is one other reason: The Girl and I got reacquainted and started dating right after the Legion Field show (she was almost right behind me, but didn’t come up to me and I didn’t turn around enough or else I need my vision checked--she has a look she can give that if I had been getting it that night, I should have seen--anyway…but the next day she emailed me and a week later was what I still consider The Best Date I’ve Ever Had, in caps even, and so on). She claimed she never missed a Butch Walker show, and while we haven’t talked (and I haven’t even tried lately) I may have spent half the show with my head on a swivel looking behind me, to the side (and even wandering to the smokers’ pit and to the top balcony before Butch’s set started and the rest of my crew showed up.) Also, I may have sang her name instead of "Baby" on a few songs…but at this point it’s an old habit, dating back to October.



(Weird Coincidence Note: after the 40 Watt show I met/flirted with two lovely ladies from either North or South Carolina who had driven all the way to Athens to see the show. I suggested afterwards that they join me at Mercury Lounge for drinks. They didn’t show, but this gets weird when I mention that The Girl and I’s TBDIEH also took place at Mercury Lounge. This just hit me today, and I’m sure it signifies/means nothing…but still…)






And maybe all he really needed was fireworks. The first time I saw Butch solo was only a few blocks from the Tabernacle, at Downtown Rocks (with LFT opening), and in addition to playing his now famous Queen Medley, there were enough fireworks (literally) to rival a David Lee Roth production.





Of course after that show I met the man himself at Smith’s Olde Bar…hmmm. Damn it. I knew I shouldn’t have gone home after the show Friday…

Tuesday, April 03, 2007

Tuesday Grab-bag of Odds & Ends

*Florida and Ohio State Pt. 2 "One Boring Moment" garnered maybe 3 total minutes of viewing time from yrstrly. It was probably 4 minutes too much. While previous posts may hint that it's not that big a feat to turn my stomach, this whole Florida-winning-titles-in-major-sports thing needs to stop. If things work out and I make it to Jacksonville this year, prepare bail money in case of a UGA loss. The smug coming from UF fans is now at Yankee fans circa 2003 (well, to Boston fans anyway.) It's gotta stop.

*Saturday I'm going back to Sanford stadium, probably dateless, but all the bad memories of my last trip (the Game I Will Not Speak Of Again...in my head I was in the stands with plenty of other people, and some Johnny Walker, and the bleachers were hard to stand on, but nothing happened outside of the stands) well, I'm 100% I won't see another UGA loss (b/c it's the spring game and Georgia's basically playing Georgia. Though I guess if you wanted to quibble with semantics Georgia has to lose and win...). There will be tailgating somewhere on North Campus (weather permitting). However, a planned Floating Beer Pong party at the pool afterwards is likely doomed as it won't be as unseasonably warm as, say two weekends ago.

*I've been compiling a list of things I will buy once I have some disposable income, here's the top items:
A Vacation--I have had no vacation since 2002. I've been unemployed and slept in, but that's not really a vacation. This needs to change. Jacksonville for UGA-UF, Boston for a Sox game (or possibly the Police at Fenway), Baltimore before Ryan up and moves, New Orleans, NYC. Doesn't so much matter where, just so long as it's vacation. Obviously, a witty, attractive, intelligent, non-Bob JonesU-sympathizing female traveling companion would be a bonus.

A Dog--Ideally an english bulldog (white). I've more or less been living alone for the past two years (I have roomates, but they're in law school, so it was possible to go days without seeing them. Makes for a quiet apartment though) and without sounding too emo, yes, it can get lonely. A Dog would solve that I think. Plus, there's hard scientific research that shows women find a man out with a puppy far more attractive than if he didn't have one (I think mainly because a dog-less person in a dog park is a bit koo-koo....)

A laptop--ok, sure, there's the obvious reason below (which would really be more sentiment than anything.) But also, after The Girl brought it up, I did probably my first serious research into laptops (I'd thought about getting one before, but figured they weren't good for much, or if they were, were wildly expensive.) Turns out I was mostly wrong. They can still be wildly expensive, but only if you're looking for say, HD-DVD editing-capable laptops, or laptops-in-only-the-loosest-sense 20-inch screen behemoths. A nice 15.4 or ideally 17-incher (don't even think of making that joke) can have a gig or more of RAM, a 120 GB HD, and enough USB ports to add anything else. So I could write downtown, or in the park, and record tracks wherever.

*I wanted to talk about Opening Day. Schilling and Co. made that too painful. Here's to a revamped Josh Beckett tomorrow...

*Quick look at what's in the pipeline, post-wise: that whole second-chances pt. 2 thing, a looong post about Web2.0's impact on dating, Football stuff, and maybe something on Dice-K

Friday, March 30, 2007

Rich People Die Unhappy

"If this path is so right,
Then why can’t I sleep at night?"
-The Noises 10 "Stuck in the backseat"
This is a post I’ve been putting off for awhile—one because it’s not an easy thing to write about and two because I’d hoped (and pretty much rightly so) that if I waited, there’d be a cheerier outlook on things. But at this point: I’ve got to get it out of my system in the hopes of sleeping easier.

(Disclaimer: if talks about depression, a liberal does of general bitching/pity-party-for-one hosting, and pretty-obviously-employed-as-coping-method jokes about depression aren’t your cup of tea, then don’t read past this little period. Oh, and it’s pretty long.)

As alluded to in an earlier post, I’d figured that things weren’t quite working out in Athens like I’d hoped, and that an attempt to grow up and move on with life was in order.
Parts of that plan not quite working out like I’d hoped have allowed the dreaded second thoughts to creep in. Everyone I told the "move to Atlanta, get a real job" plan to has endorsed the idea.

And that alone makes me nervous in a prolix, retroactively self-doubting, "so did everyone think I was fucking up sticking around Athens as long as I did? Or was it just the low-paying, not-writing-enough aspect? Etc." way. So a pretty specific type of nervous is the point.

Add to the nervous the fact that almost all my dwindling circle of friends remaining in Athens are engaged or cohabitating or otherwise no longer single, and sure, almost none of them go downtown on much of a regular basis, and sure last Saturday—it being one of those gloriously sunny and warm days that makes me say "hey, there is an upside to Global Warming"—since no one would join me at the pool I (admittedly after a few shots worth of Patron and several beers) decided to go meet some of my neighbors (ironically enough though the girls playing perhaps the World’s Longest Game of Beer Pong weren’t residents, but you didn’t hear that from me). As Radiohead’s DVD title says: "Meeting People is Easy."

What’s not easy is finding a job in Athens that can pay even in the neighborhood of $30,000 a year with benefits (assuming you’re like me and have no PhDs or law degrees or 5 years or more of computer programming experience—and even then there’s no guarantees and odds are you get paid less than you would at the same job in a city like, say Atlanta.)

And my personal sort-of motto of "less money in Athens but happy" hasn’t really been holding a lot of water for a while, despite my attempts at invoking it even on a date (which was a very happy time indeed. But how much of that was because it allowed me to not think about the job situation, future etc.) That "funk" or worse feeling has shown up several times, dating back at least to last summer, but even that first year I stuck around after graduating in ’03-’04 where Athens didn’t feel right to me.

"And after all this time, you were waiting on the rideTo stop at the place where
they slowly misplaced your life..."

-Butch Walker "Joan"


I can’t deny a large portion of it is the money. I’ve tried denying that for years: I’m done. It was and is a factor. Not just in a paying the bills and a shiny iPod for working out, but dating too. Especially dating.

The Girl (note: I'm not using her name here, but she gets big-time proper noun-status anyway) was incredibly low-maintenance—yet another plus in her favor, among many; if I listed all her good qualities it’d crash Blogger’s server and her bad qualities would take a few lines at most—but I wasn’t exactly advertising just how tight money was either. She knew from the first date I wished my job had the benefits (and hours, and non-punchclock regimens) her job had. She knew then I was not exactly jumping for joy with my current financial situation (see the note below about my buddy’s salary supra, that story was mentioned too).

Money wasn’t an issue for her(well, the money I had wasn't an issue; I got the impression she, like most people, would enjoy having more than she was currently making, and while she downplayed her work, she was probably more than enough of a badass at it that she probably did/does deserve a raise). She practically bent over backwards to keep me from paying for dinner all the time. But it was an (mostly unspoken) issue for me—not so much picking up the check at Bissette’s or Mellow Mushroom or wherever—but more importantly any time I’d look more than a few weeks into the future.

She had a great idea that we could both take our laptops downtown, or to the dog park (well, the second one was more of a plan for Spring or one of those non-freezing days in the fall) and write, together (can you blame me for falling ass-over-teakettle-grade smitten?). The catch: I had no laptop, and really no feasible way to buy one. Several weeks (and a literally teeth-chattering fall cold front) later on somehow our conversation turned to ski lifts and how the height made her nervous, I think a television ad was involved, and I pointed out that a two-person lift can be quite romantic, if it’s the right two people (especially if the resort’s set up for night skiing, and there’s a hot tub to "recover" in afterwards.). Then we talked about maybe taking a trip…I was thinking somewhere close—perhaps the classic three-day weekend retreat to someplace where the snow is only slightly more natural than Pamela Anderson-?(Rock? Lee? I don’t really know or care at this point)’s décolletage, like say either one of those resorts in Boone, NC—but yet again, I could throw the idea out there, but I knew I couldn’t actually make it happen. And it eats away at you.

I can add up the figures and sometimes wonder how I had any bit of a life (and then be amazed that I was able to have an amazing relationship for even two dates, much less a few months.) The numbers in a nutshell: after rent and bills, I was left with $100 (or sometimes less—a lack of health insurance, coupled with far too many stretches where I would eat way too much junk/fast food and not work out wrecked perfect attendance) per week for food, fuel in the car, and…well, maybe it was a good thing I didn’t have many friends that liked going out downtown. It eats away at you.

That went on for a year. November and December prior I was searching for work, and blowing the tiny bit of savings I had accumulated working in the ‘burbs. But unlike some folks who graduated, worked outside of Athens and moved back, I wasn’t really taking that big of a pay cut. I hadn’t worked continuously for long in the ‘burbs, thanks primarily to what I’m pretty sure now (there was never a formal diagnosis or anything—I had no health insurance, but also just enough vanity or pride or whatever to not ask my folks for money to see a psychologist) was a pretty nasty bout with depression that winter (other than the occasional band practice, my mental health was helped the most through the two-hour blocks of Buffy the Vampire Slayer on TNT. So basically I can date the length of that depressed period by however long it took TNT to air the last few episodes of Season Four—starting with the episode where Faith killed a man—to right about the time in Season Six that Buffy and Spike’s wild sex brought a building down on them.)

So while "I left Atlanta and more money for Athens" may technically be true, I wasn’t exactly rolling in dough there—and I followed the same job search pattern I employed in Athens in my first post-grad year: take the first job offer you get, even if you can’t imagine staying there long. I’ve got a friend that graduated UGA all of three months later than I did who made $70K last year and at minimum $150,000 since graduating. I don’t want to actually dig out my tax returns, but I’m pretty sure my entire income from graduation in ’03 to my ’06 income added up might not even be $70K. And it can eat away at you.

Because one year is maybe adjustment to post-college life, or my plan to take a year off and the go back to grad school, but after several years of struggling, the cumulative effect on my overall confidence is: not good. But I’ve got lots of friends who will tell me how brilliant I am, or how even in my (well, to me) goofy-looking driver’s license picture I looked smart. Plus also a number of friends telling me on the frequent occasions my current relationships with the fairer sex haven’t gone beyond a date or two that I really should have a girlfriend. So, how much of those comments win out over the reality of being single and poor registers as true, and how much self-doubt based on the small figures on the checks and little to no money for dates takes over? At what point do you begin to feel a scarlet F (for either "failure" or "fuckup" depending for how vulgar I’m feeling) on you at almost all times? When do you admit to yourself that because a girl dates an older guy it’s not because she’s out for his money, but it’s because he’s not drowning in doubts about how he could afford to travel and see her, or the classic insecurity-in-relationship killer "what does she even see in me?" question? And when do you stop and reflect that your dream of coming back to Athens, and what you wanted to do, and what you’ve wound up doing, don’t mesh? Again (well, by know if you’re reading this you can detect the them I’ve been going for at the end of these paragraphs…)

But am I really talking myself into plans of a "real job" in Atlanta, and moving away from the town I’ve called home for seven out of the past eight years?

Or am I simply throwing in the towel because I think someone special had come into my life, and I realize now I screwed up, again, in the same poor communication way that’s screwed up some other promising relationships?

And that maybe the money isn’t a reason why I clamed up at the worst time, but an excuse?
(The quick backstory: when things stopped working well dovetails with my turn from being honest and open with her to lying or avoiding talking about issues because I figured that that was what she wanted. Insecurity strikes again.)

I’m sure it’s actually a bit of both. Sadly, I’m also sure even if The Girl suddenly decided to call me up and give me a second (well, by my unofficial count at least fifteenth) chance, it’d yet again end badly. She may not have the whole world on her finger yet ("yet" being the key word here), she’s got a pretty amazing life going on right now, all the hopes and dreams still in the air, and I’ve got…a band that is on "hiatus" (rock musician euphemism for "broken up"), a temporary job that will likely be followed by another temporary job while I continue to send resumes out, and obviously, a disposition that’s probably just as sunny as the one I had back in November that I think quite literally manifested in a kind of contact depression in her. (Note: I’m let’s say 99.9999% sure I’m not currently depressed, and this rant leans towards the nadir of my daily moods, not how I am daily.)

What do you do when your roots have dissolved and broken down And the soil
that you grew in when you were small Has become nothing more than dirt in some
dirty town
When you list all the qualities that you despise And you realise
You're describing yourself?
-Marillion "This Rake's Progress"

Before the temp job came into play I wound up spending almost a month attempting to send out resumes and find work in Atlanta while spending most of my time in Athens. Mostly I slept too much, then finally did a benefit-of-distance postmotem on the relationship with The Girl and well, sometimes seeing yourself how someone else sees you, holding that mirror up to your face, isn’t a good thing.

I could feel the symptoms of depression building again—not "the funk" but the real, ominous, Ideation-rejected-but-still-frightening thing, something like what I felt a few years ago—and something had to give. So I went to Plan B (the temp jobs until something better is found) and started hitting the gym daily, cutting almost all fast food out of the diet. Plan A1+, for the record, involved a large lottery-winning financial windfall, endowing UGA with a true MFA program for creative writing (could DFW be talked into moving to Athens from Pomona in California?), somehow purchasing the old DialAmerica building and deeding it to the folks at Nuci’s Space (I picture a bigger venue for fundraiser shows, more space for practice, and maybe even a small parking deck on the current lot’s footprint, that could raise brobdingnagian amounts of money for the place on gamedays alone), outfitting the band (or a band that I’d play guitar in) with pro gear, and spending even more time writing (which, I will note I’ve been trying my damnedest to be diligent about now, because if I take a "I’ll finish the book when I have more time" attitude, it won’t get finished.)

But several million-to-one-shot-odds fantasies aside, here’s the basic conclusion of a good bit of painful self-reflection:

Insecurity, especially financial insecurity, can make me a really terrible person. I clam up and avoid telling anything remotely approximating the truth to those close to me—especially anyone I’m dating. If I feel I’m "losing" her, I can try stringing together long strands of pent-up things I should’ve told her before (and not all at once) mixed with what I think she wants to hear in a pathetic attempt to get her to stay. I fall into that terrible mistake of picturing relationships as "having" and "winning over," terms of conquest and possession and all that horrid shit, instead of equal, even though I know deep down it’s the equality I want. I manipulate and censor aspects of the relationship when things turn sour to make myself look better and her worse. And if someone figures out I’m doing it, even confessing it later can be a strain on her trusting me. It’s a nasty cycle and I don’t like the guy causing it. And I don’t want to be that guy again. Ever.
He feels like shit constantly, makes those he claims to love feel like shit, and he’s the little fucker that wants to pull me back into depression.

What I want is to feel like the guy The Girl thought I was to begin with—a funny, happy, confident guy. And while my romantic side doesn’t want to admit it (but screw him, the manipulative asshole side of me can talk my romantic side into too much problematic shit) it’s going to take money to kill off the insecurity. Or at least hopefully wound it—perhaps main it in the leg or something so that I can clearly hear it coming and sweep its maimed leg and throw it away.

If I’m being honest with myself Athens isn’t 100% ruled out then, but it’s an almost lottery-winning longshot. Atlanta’s the first choice, and I’m hoping something good is in the pipeline (and I’m not totally grasping at straws here, there are multiple reasons for hope in the pipeline. Even if that’s a lousy mixed metaphor.) If that fails too? Well, several years back I had started looking into what it might take to get a work visa to Australia...

Saturday, March 24, 2007

Beauty The Stars

Remember a several months back when I posted a blog entry ripping Fall-Out Boy? I posted it around the same time I first started thinking (but not aloud) that maybe living in Athens, while single, and working a non-salaried, non-benefits-providing job in my mid 20s (don’t even say it: 26 is closer to 25 than 30 damnit) well, maybe it wasn’t the best idea.

Plus as a result of my occasionally bouts of self-doubt and extreme pickiness (though I prefer the term “high standards”) and long dateless spell, I was shall we say, a bit bitter. And “sugar we’re going down” was getting played way too much. And that song with the long title, longer (seemingly) video, and whatnot was all over MTV2 and FUSE. So I took my pissed-offitude out on them.

But here’s a multi-part confession: I liked then, and still have a weakness for the other single from that album. “Dance Dance” is catchy as hell, even if I’m no great fan of the lyrics. Pete Wentz=not half as clever as fancily-coiffed high school scene kids would have you believe. That said even some of his cheesier moments lyrically looks like Wallace Stevens compared to crap like that Papa Roach song (I forget the name, but the video royally pissed me off—he's a pompous, self-rightous straightedge punk, and oh no, his girlfriend, played by the ohmydamn-inducing Taylor Cole, gets drunk at a party and falls down on some folks. So he pours out her booze, she accidentally burns down his house and he dumps her. But I maintain if he hadn’t been such a dick and poured her booze out, she wouldn’t have needed the cigarette…and Google says the song was called "Scars", but anyway, back to my rant).








(That bottle in her left hand looks like Dewars...I think pouring that out's grounds for your place burning to the ground but that's just me.)

So yeah, guilty pleasure? Maybe. But Infinity On High is good stuff so far (though I’ll admit a strong bias to the song Butch Walker guests on).

Related sub-confession: I still don’t like the first single from the album (“Shut the god damn door” just doesn’t work for me as part of a hook. The lesson being, I think, that if it’s something a crotchety old person would say, it doesn’t belong in the chorus of a rock song. But give it a few more decades and there’ll be old folks screaming out classics like Poison Clan’s “shakewhatchamamagaveya” so this is a rule with a time limit) but Panic At The Disco, when they’re good, is pretty damn good indeed. “The Only Difference Between Martyrdom And Suicide Is Press Coverage,” seemingly needlessly long song title aside, is a really kick-ass blend of that 80s pop/dance revival stuff The Bravery and The Killers (well, on Hot Fuss anyway) did so well, with semi-pop-punk rock. And the ADD arrangement style of most of the songs (like an MTV film editor and cuts, they don’t stick with any one musical passage for long) works.

There is some melancholy in all this though too: while Fall Out Boy headlines an arena tour, there’s part of me that goes through my old concert ticket stubs, pulls out one from the 40watt, and wonders “why didn’t Left Front Tire blow up?”

They put out two full-length albums with a great (and listening to bands like The Academy Is… and Fall Out Boy, clearly marketable) blend of Blink 182-style pop punk and 80s arena rock. So many songs had catchy hooks I get tempted to make a bad simile involving a fishing license. They opened for Butch Walker at On the Rocks in Atlanta (I believe this 99X show is where Butch’s kickass “Queen Medley” was performed…since I didn’t get to attend his acoustic show on his DVD, this is my current chance to be on the same recording as Butch—even if it’s along with 20,000 or so other folks screaming/singing the “Bohemian Rhapsody” opera parts…I hit the high note though. Plus Butch invited the entire crowd to Smith's after the show, and thanks to LFT being there, I was able to briefly meet the man himself.)

They had a song on the American Pie 2 soundtrack. They played Music Midtown and Big Day Out multiple times. They were (and still are) what is sadly a rarity in the music business: genuinely great guys. Sure, they may barge into your apartment with a bottle of Jack and give you a whiskey wake-up call, but if that’s really “horrible” to you, I advice you go back to the Focus On The Family and Parents Television Council websites. Nothing here will not piss you off.

Athensmusic.com has some clips from 42 Ways to Lose a Friend I highly recommend scoping out.

Also, their old Drummer, Josh, now sings and plays keys for a new band, Holiday, that’s a bit more rock/alternative and a good bit less punk, but still very good. Check ‘em out on MySpace.

In Thursday night TV news, well, Grey’s must not have missed me or paid attention to my blog (not that I really thought they would: you can go ahead and accuse me on many counts of being self-absorbed, but not this), because they spent a while showing repeats after the OC went to the big TV show heaven in the sky (it’s currently being wooed by Arrested Development, after a fling with Wonderfalls and a disastrous first date with BtVS). But now, we’ve had two new episodes in a row (and NBC has even put 30 Rock—which kicks ass—on what better not be permanent hiatus)…and…there are some great moments and some stuff that really just bugs me.

So Callie has a brobdingnagian trust fund, large enough that she can not only easily live at Seattle’s version of The Waldorf-Astoria, but eat wildly expensive room service…but a few months ago she was homeless and stuck sleeping at the hospital? Are we supposed to believe that she’s so quirckly odd about her huge trust fund and money that she’d violate hospital policy and…I dunno…let the trust fund money pile up? Or are the writers hoping that we just forgot about that plotline now that she’s starting a potentially doomed marriage to George?









(Give me this every month and I wouldn't be crashing in the hospital, but again, that's just me...)

Speaking of George, it’ll be interesting to see how he deals with the whole Callie v. Izzie triangle. When it happened I had extra high hopes because:

1. Callie tells George, in the midst of their fight Izzie likes him

2. He shows up to talk with Izzie with a bottle of whiskey, and then invites her to drink.

I hated the “blackout” aspect (despite some good material coming out of it) because the events of the previous episode hinted that George knew what he was doing. He wanted to get drunk so he could potentially have an excuse (in my experience, if you’ve been drunk quite a few times, you know if you blackout or not, and what amount and types of booze achieve these results) to cheat, and, more damning for George, wanted Izzie to get drunk with him, thus increasing his chances of getting some “supermodel”-level ass.

Even when the show was pissing me off back in the fall, I liked what they were doing with Karev. Credit to the writers and the actor at taking a basic “asshole with a heart of gold” archetype and doing kickass stuff with it. On the other hand, now that he’s the perfect guy, Dr. Sheppard doesn’t seem to have anything to do, but beg to have sex with Meredith, and worry about her, and then get castigated for worrying about her. While I know offering advice to a fictional character is about as useful as trying to get an honest answer from a non-under oath high-ranking Bush Administration figure, I can say this to Derek: don’t get caught up in trying to be the “perfect boyfriend”, it’s a game you can’t win. Don’t mistake knowing a good bit about her, for knowing her better than she knows herself. Because “the one that got away” hurts a little, but “the one you pushed away (even with good intentions” hurts a hell of a lot more. (And yes, I may as well wave the red flag and say "I'm trying to work out a personal issue via addressing a fictional character here.)

On a related Thursday note: Scrubs seems a bit off to me this season, and I can’t place why (though the clip show didn’t help). I hope they can bounce back, or they'll have a short final season like the OC.

30 Rock and What About Brian, two shows I started watching this year and dig the hell out of, are both “on the bubble” renewal wise. Brian has a season finale next week, I recommend watching (especially if you have a Neilson box), and keep your eyes peeled for online petitions. It worked for Arrested Development…

And even though they’re shooting parts of it in Atlanta, and it stars Laura Prepon (who was one of the best non-Red Foreman things on That 70s Show and yet this is her first show since, whilst Wilmer Valderrama has parlayed his T70sS stint—and dating Lindsay Lohan prior to the multiple rehab stints methinks—into a terrible MTV show and movie roles…seriously Hollywood: what the hell?) I just haven’t given October Road a chance. I’m no fan of critics, but they universally ripped this show from the beginning, and the plot point mentioned in one review (the protagonist’s mean book publishers wouldn’t let him change the names of real people in his novel to other names? If this is true, Writer’s Guild of America memberships or not, no one on the show has worked in publishing or even, read the disclaimer works of fiction have about names on the page facing the title page.) But the real reason is my aforementioned 7am-4pm Mon-Fri schedule, which, coupled with the fact that both LOST and What About Brian wait until 10pm to start…well, I don’t know if I can stay up and watch the show. And I have some qualms about that, because, potentially sneaky editor/publisher issues aside, this sounds like a show right in my wheelhouse. First, there’s a protagonist who’s a writer only slightly older than me (ok, see, here you can call me self-absorbed) who ran away from his past and now has to deal with it. It’s likely about second chances in relationships (a great tv staple). It’s got people in Boston Red Sox hats (hopefully also spewing some “Yankees suck”-type diatribes too). All that and Laura Prepon. It’s getting a shot this week, even if it’s via TiVo…

Thursday, February 22, 2007

California Here We Come (For The Last Time) Pt. 1

After tonight, Thursday evening TV will be a lot different (for the last time, I'm not talking about Greys! I know nothing) as The OC comes to an end. It's come a long way from the show I thought from early episode previews was nothing more than another annoying teen soap (and maybe I was a little uncomfortable that the hotness of Katie Holmes alone suckered me into watching Dawson's Creek back in the day) with a lead actor that looked like a young Russell Crowe, a lead actress that looked a lot (at first, to me) Lilah on Angel (but turned out to be a really older-looking 17-year old with the unlikely first name of Mischa) plus The Player's Larry Levy as an ex-hippie public defender.

























(It wasn't just about these folks...)


Clearly the promos and previews (I remember in particular one for the episode in which Caleb's 20-something girlfriend shows up and seduces Ryan) did the show a disservice. Oh sure there was plenty of sex and drama and really attractive people running around in next-to-nothing. But almost every tv-show has that (hell, even Ugly Betty not only throws in Salma Hayek as a special guest star, they throw in scantily-clad Salma Hayek as a guest star). It wasn't just Summer and Marissa (and Alex, and Lindsay, and Taylor, and Jess, and well there were a lot of hot women on the show, including Kirsten Cohen and Julie Cooper) chilling on the beach in bikinis that forced me to either tune in every night The OC was on (or set the VCR or DVR to record it, or call friends who I know watched to find out what happened on nights I either had to work late or went to an early-starting party). Nope, it was because the show could genuienly blend comedy with drama (well, when it was working right) and that even when the writing got sloppy, there was enough invested in the characters to stick around.













(It was about all these folks, and a few more...)


Now in the fourth and final season I can count on one hand (and it can be a hand that's had a few digits hacked off) the number of people I know that still watch (again, FOX, great scheduling move putting the show on against CSI and Grey's and promoting it not a whit either during the World Series or your horrid BCS bowl coverage. Why couldn't you have put your best against their best? American Idol vs. CSI vs. Grey's. Now that's a fair fight.) The writing started getting sloppy late in season two (was Shannon Lucio really so busy they couldn't bring her back for Caleb's funeral?) and season three, which temporarily looked interesting with its Bizzaro World characters quickly became a huge train wreck. I had hopes that season four would be better (creator Josh Schwartz was back, the season 3 finale was well-done), but again the previews didn't help. Ryan Atwood: cage fighter? Summer Roberts: hippie?

But I should've known that one-minute clips or snippets viewed while Grey's was on commercial break aren't enough to judge (and to be fair I didn't have remote access at the time--the channel-surfing was lift to the whims of another and I still ascribe to the rule of the house/condo/loft/tarpaper shack's owner/resident gets remote privaleges unless said privalages are expressed granted to another.)

















(High school is different there: everyone gets lei'd)

Season four's been the best since season one, and that's saying a lot (I'll expound on this more in "Pt. 2" tomorrow, which'll include early thoughts from tonights series finale). People who wrote the show off at some point last season that gave it another shot (because ABC at least does like reruns, and putting shows on short hiatus between new episodes--as a LOST fan I know this) came away pleasently surprised (note for posterity, for some of these people the fact that Butch Walker provided the music probably helped things out A LOT, as their may be a strong pro-Butch bias. I say this in case some readers thought my vague language was indicative of a real, honest marketing/scientific study as opposed to me attempting to talk about people I know without mentioning them by name.)

And now, here is Excerpts From A Work In Progress's Top 10 The OC Episodes:

10. The Swells - Yeah, sorry, I know it's easy to try and forget season 3 ever existed, what with the mysteriously aging Kaitlin Cooper, and Dean Hess and all the other crap (plus Johnny's bid to rival Oliver for sheer whiny annoyance), but some good did come out of it. And it started with this episode. The lock-in part of the plot revealed that there was a lot more to Taylor Townsend than her manipulative side.



9. The Sleeping Beauty / The Night Moves (tie) - Yeah, I'm copping out a bit here. I'm a sucker for people doing over-the-top things for the people they really like, and a sucker for Autumn Reeser, so the episode where she pretends to be a Sleep Therapist to woo Ryan makes the cut, but the series penultimate episode was good times as well (ok, so maybe the Seth and Ryan subplot where Ryan recounts his Newport days alone is the reason for this) but it was also nice to see Kaitlin being less and less of a lil' bitch and Sandy Cohen once again proving that he is the man.


8. The Graduates - The other good thing that came from season 3 (beside the obvious: season finale meant it was over) was that this episode marked series creator Josh Schwartz's reinvolvement with the show. By far a better season finale that season 2's Marissa shooting Trey nonsense (and I'll admit the use of Imogen Heap's a cappella cover of "Hallelujah" here swayed me) the episode also took the bold, but by the time the show aired not so surprising decision to kill off Mischa Barton's character. The show needed a big kick in the ass (I apparently wasn't the only one sick of the off-and-on Ryan-Marissa relationship) and it's debatable whether season 4 could wind up as good as it's been if Marissa had just disappeared to Jimmy Cooper's yacht instead of dying (thus freeing Mischa Barton to...wait has she been in anything, tv or film since The OC season 3?) but this episode remains the kick in the ass that woke up season 4.


7. The Telenovela / The LA - Another tie (I know, cop outs galore in this top ten), but for different reasons. The Telenovela features the great Seth-on-top-of-the-kissing booth-professing-his-feelings-to-Summer scene, one of the best single moments on the show, but I can't rank it higher because the Theresa plot just wasn't that interesting to me. On the other hand, the LA featured the nice pomo show-within-a-show device of The Valley (which would later get even more fancy when they threw in the Laguna Beach spoof The Real Valley) and some of the best meta-spoofing network TV'd seen since George Costanza and Jerry Seinfeld pitched NBC a "show about nothing" on Seinfeld...but it also contributed to Paris Hilton thinking she could act (and though the writers had fun spoofing her image, I'll bet you dollars to doughnuts thinks Gravity's Rainbow is something in her friend Kim Kardashian's sex tape, and not a Thomas Pynchon novel.)


6. The Summer Bummer - Taylor Townsend, reinacting 80s music video cliches (including Tawny Kitaen's classic work in Whitesnake's "Here I go again" video) while Butch Walker's "Hot Girls In Good Moods" plays in the background? I'm sofa king down with that. Add Kirsten and Sandy attempting to be surrage Seth's to Ryan to Seth's adventures in Rhode Island and you've got a winner.



5. The Chrismukk-huh? - Part of me was really tempted to bump the original Chrismukkah episode to this spot. After all, no subsequent Chrismukkah references could exist without the original episode that introduced us to the Seth Cohen-created bi-religious holiday. But that episode also ended with the unfortunate debut of Oliver (easily one of the worst characters the show's seen) and this season four episode, with an OC take on It's A Wonderful Life showing us an orange county where Ryan Atwood stayed in Chino, was Season 4's best episode.


4. The New Era - Seth wants to move on, Summer's moving on with Zach, Ryan wants to be just friends with Marissa. So Seth is set up with Lindsay, Ryan with Alex. It's obvious that this isn't how it should work, it's not Shaksespeare, and yet they pull it off. Plus I can sympathisize with Seth's ploy of getting tickets for Summer, and how, in love, or "crafty plans" can actually be painfully obvious ruses to everyone else. There was a lot of hope for season 2 in this episode (which they squandered by taking potentially round characters like Alex and Lindsay and flattening them into "possibly lunatic bisexual" and "whiny, insecure bastard offspring of Caleb Nichol") and showed that the teen characters stories could be about more than just the old Ryan-Marissa and Seth-Summer dynamics.


3. The Heartbreak - All the non-prexisting details of Seth and Summer's sex life come out in this episode; which also managed to be one of the few times in TV history where two major characters popped their cherries and there were no pregnancy scares, or Herpes outbreaks or anything else the Abstinence Only crowd the Bush Administration financial favors would like to see on TV. It was awkward, it was funny...it was realistic (bonus points for the great exchange between Seth and Sandy, especially Sandy's "we Cohens are very sexual beings" and Seth's response "what was that? Sorry I just threw up in my mouth a little.") Yep, Sandy Cohen may be TV's best dad.


2. The Escape - It all started here for me. I was skeptical at first, but by the Seth and Summer exchange over breakfast I was hooked. And I'll admit, part of it was a bit egocentric on my part: Seth Cohen, insecure--especially around women--but sarcastic, and a fan of bands most people hadn't heard of and Michael Chabon novels, reminded me a lot of myself (remember, this aired in 2003 and I didn't really get mostly past the insecurity thing until 2004). I was shocked at how well written it was, and how, unlike say 90210, the parents weren't just occasional figures to show up randomly. A good bit of pre-show backstory had been put into play here, and the writers did a deft job weaving the multple arcs of the children and adults so that by the time Ryan finds the passed-out Marissa, I'm pissed that I'll have to wait until after the World Series to find out what happened (which is probably just how they planned it.)


1. Rainy Day Women - It had it all--great use of music (Blind Melon playing during Seth and Ryan's hilarius exchange to open the episode), another of the series all-time great moments with Seth and Summer's spiderman kiss, and yes, because I am, after all, a guy, some great "experimenting" Marissa and Alex moments.

Share your own top 10, or berate my picks, in the comments...





BONUS Vid for those that like Butch Walker, The OC, and Scrolling to the bottom of blog posts: